Dogfish

Applications Open for Dogfish Accelerator

Last year, I did a lengthly profile on Dogfish Pictures’ inaugural Accelerator program, which adapts a start up financing model to the independent film landscape. Dogfish equips each of its selected participants with seed financing and an office space where they’ll develop their product(s) over the course of nine-weeks, with added input from mentors. The program is capped off by a demo day, in which a member from each team pitches to a room full of investors, industry personnel and lowly journalists like myself. Applications are now open for the second edition of Accelerator through August 8, but this year, James Belfer and Co. are widening the field. “Content […]
by Sarah Salovaara on Jul 24, 2014
Takeaways From Dogfish Accelerator’s Demo Day

Back in October, Filmmaker spoke with a few of the driving forces behind Dogfish Pictures’ Accelerator Program, which seeks to bring the start-up financing model to independent film production. I’m pleased to report that James Belfer and Company’s months of hard work culminated in a successful Demo Day at the Microsoft Technology Center in midtown Manhattan last Friday. For myself, and a few others in the audience who aren’t necessarily of the tech-ilk, it was our first brush with this sort of presentation marathon, where one or two representatives from each team take to the floor for with a Powerpoint pitch before […]
by Sarah Salovaara on Dec 10, 2013
Team-Building, Data Science and the Business Plan: Dogfish Accelerator’s New Film Financing Model

Not long after he founded Dogfish Pictures in 2009, producer James Belfer sensed an industry-wide disconnect between content creation and return on investment. Filmmakers, he gleaned, were concerned with short-term assets, agreeing to sell their film to distributors for a fixed sum that was a mere fraction of the eventual profit. In order to capture the full value of their content, filmmakers would need a new set of marketing tools and a fair bit of elbow grease. Belfer felt that any of these strategies would not be found in the traditional film industry at all, but rather, in the tangential […]
by Sarah Salovaara on Oct 25, 2013

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