In the world of Christopher Nolan’s Tenet, people from the future have figured out how to reverse the entropy of people and objects, making them “time inverted.” Effect precedes cause for inverted objects and people. Inverted bullets return from bullet holes and swirl back into the barrel of the guns that fired them, a fight between an inverted soldier and a soldier operating on regular time looks like a freak-puppet show, and reverse speech sounds like the dream speak from the Red Room in Twin Peaks. All someone has to do to swap their inversion status is enter a turnstile […]
by A.E. Hunt on Jan 5, 2021The following article appeared in Filmmaker’s Spring, 2018 print issue. Like many departments on a film set, the locations department has duties that are a mixture of artistic and practical, a blend of orchestrating creative epiphanies and managing tedious logistics. Location managers might jaunt off to explore tropical beaches or spend the day sharing their favorite secret enclave of New York with an esteemed director, but they also might toil for weeks figuring out where the crew will park, eat and go to the bathroom. And if you’ve ever worked on a low-budget movie without the cash for a fancy […]
by Matt Mulcahey on Jul 17, 2018