In this brief introduction to a screening of Fight Club at Locarno, Edward Norton recalls that the film premiered to boos at the Venice Film Festival in 1999, a far cry from its assured cult status at this point. He then goes on to compare the film’s initially poor reception to what it must’ve been like to watch Rossellini’s Rome, Open City one year after the end of World War II, as something too raw and recent to process. The comparison’s probably ill-advised, but there you go.
by Filmmaker Staff on Aug 18, 2015Set in and around a children’s summer camp off the coast of New England in 1965, Wes Anderson’s captivating Moonrise Kingdom is a movie about two 12-year-olds, young lovers who escape the adult world of counselors, parents and social workers to find a few magical moments in the film’s eponymous beachside paradise. A movie about childhood, Moonrise Kingdom is also, more importantly, a movie that feels of childhood. With its evocatively off-scale production design, tempered adult performances and moments of playful abandon, Moonrise Kingdom is stuffed with feelings and visions that, no matter what your age, transport you through time […]
by Walter Donohue on Oct 17, 2012COLIN FARRELL AND EDWARD NORTON IN DIRECTOR GAVIN O’CONNOR’S PRIDE AND GLORY. COURTESY WARNER BROS. As a director who values realistic characters and emotionally resonant stories above all else, Gavin O’Connor is a young filmmaker who is keeping the values of a bygone Hollywood alive. The son of a cop, O’Connor grew up in New York on a diet of classic studio movies from the 30s and 40s then immersed himself in the great films produced by the New Hollywood auteurs of the 1970s. After graduating from the University of Pennsylvania, O’Connor returned to New York, where he began writing […]
by Nick Dawson on Oct 23, 2008