“With all these devices,” Braden King says as he gestures to his iPhone, “you never have to be where you are at all.” The comment is overwhelmingly appropriate, since King’s first narrative feature, HERE, which opens on April 13th at New York’s IFC Center, is about nothing so much as having an appreciation and understanding of where one is. The moment is all the more interesting since King isn’t talking about his film at all; rather, he’s talking about his office space. A connection, regardless, begs to be made. HERE is a formalist reinvention of the road-trip romance, a film […]
by Zachary Wigon on Apr 11, 2012Although Sundance is predominantly known for indie dramas and social issue documentaries, the New Frontiers section provides a loving home for particularly odd ducks. Unlike many projects in New Frontiers, which are presented as installations or other new media formats, Eve Sussman’s whiteonwhite:algorithmicnoir was screened in a conventional theater. However, the film’s text, 300 bits of voiceover, 150 pieces of music, and 3,000 images are live-edited by an algorithmic computer dubbed the Serendipity Machine that creates a randomized sequence, meaning each screening is entirely unique. Not only does Sussman’s piece turn the idea of the mystery genre on its ear, […]
by Farihah Zaman on Jan 27, 2012