The deficiencies of George Miller’s Fury Road prequel, Furiosa: A Mad Max Saga—many of which have, unsurprisingly, been given a pass—echo my broader sentiments towards this year’s Cannes, at least from where we sit just past the halfway point. In Furiosa’s opening minutes, we’re informed via voiceover of the great struggles facing its world: pandemics, famine, climate catastrophe. Offering a supplementary narrative of broader relevance, it’s a table setting of topicality that’s wholly unnecessary to the film’s primary, surface pleasures. Many of this year’s Palme d’Or contenders, too, have felt like showcases for Contemporary Issue X rather than works of […]
by Blake Williams on May 22, 2024After the mixed reception given to the first trailer for George Miller’s forthcoming, Cannes-anticipated Furiosa: A Mad Max Saga, where Anya Taylor-Joy plays a younger version of Charlize Theron’s Furiosa from Max Max: Fury Road, Warner Bros. has dropped a new trailer today that reveals a lot more of the film’s action, chronological sweep (different actors play Furiosa here) and overall look. Scored, to my ears at least, to an orchestral version of David Bowie’s “The Man Who Sold the World,” the trailer is found above.
by Scott Macaulay on Mar 19, 2024