Cinematographers right out of film school often get their feet wet by shooting short films, music videos, and commercials – brief subjects with lower budgets and ample room to experiment and make mistakes. There was no such toe dipping for Bojan Bazelli. He was dunked directly into the river of cinema and legendary New York auteur Abel Ferrara did the baptizing. The Yugoslavia-born Bazelli was just out of film school in Prague when Ferrara came across the DP’s thesis movie and tapped him to shoot his Romeo and Juliet variation China Girl (1987). Over the next decade Bazelli lensed 17 features, […]
by Matt Mulcahey on Mar 8, 2017“How do we define failure when it comes to motion pictures?” Simultaneously defending the more-or-less rehabilitated Heaven’s Gate and the not-so-much The Lone Ranger is a hard task, but presumably someone has to do it. In this video essay, Scout Tafoya gives a surprisingly plausible stab at arguing that both are underrated slabs of greatness with much in common, alternately grimly realistic and expensively glossy takes on the genocide of the Native Americans, presentational flip sides of the same coin.
by Filmmaker Staff on Mar 5, 2015