Watch the trailer for Godland, the third feature from Icelandic filmmaker Hlynur Pálmason. The film takes place during the late 19th century and follows a young Danish priest as he embarks on a grueling journey through the harsh yet stunning landscape of Iceland to establish a church and photograph the inhabitants of the then-remote Danish territory. In his dispatch out of Cannes last year, Blake Williams expands on the film’s sumptuous visuals and the film’s (albeit fictitious) historical reference: “The film is shot on 35mm and lets you know it by adopting what appears to have been an extremely hands-off […]
by Filmmaker Staff on Jan 17, 2023Day 10 is winding down, and it’s become quite clear that, as was the case for the Berlinale last February, this year’s Cannes is a significant regression after a 2021 edition that overflowed with a pre-pandemic backlog. So many of the films I’ve seen, produced and completed (if not completely developed) in the midst of COVID-era constraints, have felt smaller, cheaper, cruder than what I’ve encountered here in editions past—not a judgment per se, of course, but a new, ill-fitted look from a festival that so pointedly touts its eventitude: the spectacle, the glamor, the scope of its pet auteur’s […]
by Blake Williams on May 26, 2022Oakland’s Grand Lake Theatre is a 1926 Art Deco show palace that first hosted vaudeville shows and silent movie screenings accompanied by the bass-note oscillations of a Wurlitzer Hope Jones Unit-Orchestra Pipe Organ. The classic venue is symbolic of its city, which made it the ideal spot for the Bay Area premiere of a the debut feature by another Oakland icon: activist, musician and now writer-director Boots Riley, who came of age as a moviegoer at the venue. “I saw Star Wars here,” he told an audience that packed the house during the recent San Francisco International Film Festival, where the […]
by Steve Dollar on May 1, 2018