“CHANGE YOU CAN BELIEVE IN” IS ALWAYS A GLASS MOSTLY EMPTY: ON “THE IDES OF MARCH”
Note: the following piece contains spoilers. One time in my fleeting youth, I encountered George Clooney in the Warner Brothers screening room on 53rd Street after a National Board of Review screening of Steven Soderbergh’s The Good German. This is before I had, despite my ongoing poverty and lack of renown, spent ample time around movie stars and the merely sort-of famous at sundry locations, both foreign and domestic, becoming relatively at ease in their strange company. I still often felt not unlike the protagonist of Walker Percy’s The Moviegoer, as he follows William Holden through a blustery New Orleans afternoon, sensing some […]
by Brandon Harris on Oct 6, 2011