We did the impossible. We made a feature film. When our docu-horror Residency was accepted into the International Film Festival Rotterdam, we learned that we needed yet another miracle—we needed a sales rep to get our film in front of the right audiences. It used to be that getting selected by a festival like IFFR meant automatically getting acquired by a sales rep, but those days are long gone. On a predictably gray day during the festival, Residency director Winnie Cheung sat on a panel to speak about this very issue: the drastically changing landscape of indie distribution. Moderating the […]
by Winnie Cheung and Samara Bliss on Feb 15, 2023I was lucky to see two films I liked upon arriving for my first IRL International Film Festival Rotterdam: with a limited timeframe of three-and-a-half days, starting strong put me in a desirably pleasant and more-receptive-than-usual mindset, even if my fortunate choices seemed mostly like beginner’s luck. The festival’s extremely public firing last year of most of its senior and longstanding programmers led, whether out of solidarity (either publicly stated or more quietly expressed via networks of mutuals) or lack of enthusiasm about the resulting lineup, to some regular attendees sitting it out. When I arrived a third of the way […]
by Vadim Rizov on Feb 14, 2023