When François Ozon first started making features some 15 years ago, with films like Sitcom, Criminal Lovers and the Fassbinder adaptation Water Drops on Burning Rocks, he showed himself to be a raw, edgy and insistent talent. His ambition and style were at the fore in those early efforts, but over the years as he has continued to make movies — at the breakneck pace of almost one per year — he has visibly matured as a filmmaker. During his career he has done everything from colorful, large-scale retro musicals (8 Women) to bleak, formally rigorous relationship dramas (5×2) to lavish […]
by Nick Dawson on Apr 18, 2013