The International Film Festival Rotterdam has always been something of a grab bag. This year, at the 53rd edition, the Dutch festival showed 424 films across its various programmes — a reduction from past years due to widespread budget cuts. Still, 424 films (including 183 world premieres) is a mammoth undertaking for any one film critic at a major festival lacking an intuitive method of whittling down a schedule. This is especially true for international press less interested in the trickle-down from Cannes or Venice — Agniezka Holland’s audience award-winner Green Border, Bertrand Bonello’s The Beast, and Alice Rohrwacher’s La […]
by Beatrice Loayza on Feb 19, 2024Little known in the Anglophone film world (although a recent book in Edinburgh University Press’s ReFocus series might suggest an impending course correction), Antoinetta Angelidi is one of the most creative and distinct directors of the last half-century. Raised in and around Athens, Angelidi found solace in art in her adolescence after a traumatic childhood rape left her speechless. Though she initially took to painting, she was an avid moviegoer and, later, after a dream in which a Magritte-styled work exhibited a tiny movement, she turned to cinema. A student activist, she fled Greece for Paris with just the clothes […]
by Forrest Cardamenis on Feb 2, 2024“A squirmy treatise on sexual insecurity and relationship oneupmanship” is how I described Ben Petrie’s fifth short film Her Friend Adam when profiling the Canadian writer-director-actor for Filmmaker‘s 2016 25 New Faces list. That film starred Petrie and real-life partner Grace Glowicki as a couple whose relationship is unexpectedly destabilized when he spies a suggestive text message on her phone. He admitted at the time that the short was inspired by a “private lash of jealousy” he experienced in a similar moment with Glowicki, and our profile concluded with him working on a screenplay for this forthcoming first feature. You […]
by Scott Macaulay on Jan 25, 2024