In the first of a series on filmmakers and their relationship to the animal world, artist, director, writer and actress Amalia Ulman visits with actress, director (of the short film series Green Porno, among others), model and animal behaviorist Isabella Rossellini at her regenerative farm, Mama Farm. Rossellini can currently be seen on screen in Edward Berger’s Conclave playing Vatican nun Sister Agnes, while El Planeta director Ulman’s newest film is Magic Farm, premiering at the 2025 Sundance Film Festival. Photographs by Amalia Ulman. On October 2, I visited Isabella Rossellini’s farm with Gabriella. We took the train from Penn […]
by Amalia Ulman on Dec 16, 2024Blue Velvet remains a masterpiece of American cinema – one of the defining films of the 1980s, and arguably still director David Lynch’s best work (personally, I actually slightly prefer Lost Highway, but I’ve become gradually fatigued over the years with people looking at me like I’m insane when I divulge that) – and it still retains every bit of its power today. But to have seen it upon its original 1986 release was like experiencing a bomb going off inside the theater. American films during the conservative Reagan decade were going through an awkward transitional period (and, outside […]
by Travis Crawford on Nov 15, 2011Without an environment to shoot, cinematographers have nothing; without directors of photography to shoot their sets, production designers have no purpose. It takes a lot of people to build a world for the camera to film, and while the director may inspire and supervise its creation, it takes a production designer and a cinematographer to get it in front of the lens. The creative and practical collaboration between these two key crew members often gets personal. It is always co-dependent. We spoke to three such teams about their most recent projects together – Inbal Weinberg and Andrij Parekh of Blue […]
by Alicia Van Couvering on Jul 1, 2010