In the Sundance 2024 Midnight premiere It’s What’s Inside, the feature debut of writer-director Greg Jardin, an uninvited guest with a mysterious suitcase derails a pre-wedding party. Below, Jardin discusses what led him to edit his own film, the balance between long shots and flutter cuts, and more. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Jardin: I started out directing low-budget music videos, which I more or less […]
by Filmmaker Staff on Jan 31, 2024Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Ninety percent of our film takes place in one location, which makes that the default answer – a giant house in the middle of nowhere. The whole impetus behind the film’s premise was coming up with something that could unfold in a single […]
by Filmmaker Staff on Jan 31, 2024In the Sundance 2024 Midnight premiere It’s What’s Inside, the feature debut of writer-director Greg Jardin, an uninvited guest with a mysterious suitcase derails a pre-wedding party. The film’s colorful visual palette, realized by Kevin Fletcher, echoes the high-octane nature of the plot. Below, Fletcher shares some of the influences on the film’s distinct look and extols the virtues of preparatory work. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this […]
by Filmmaker Staff on Jan 19, 2024