The following article originally ran in Spring 2013, when Street was on display at the Metropolitan Museum of Art in New York City. It is republished here to coincide with it playing as part of New Frontier at the 2014 Sundance Film Festival. In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn […]
by Paul Dallas on Jan 18, 2014In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn streetscape into existential theater, offers a strange love-letter to a city (at that moment) riddled with danger and alive with artistic possibility. Pendulum was made several years after Nares’s arrival in New York at age 21 from his native England. The city’s been […]
by Paul Dallas on May 21, 2013