Filmmaker Jeff Lipsky’s latest feature, Mad Women, opens July 10th in New York, July 24 in Los Angeles and across the country in August. Here, the longtime distributor and director shares an excerpt from his upcoming memoir, which is scheduled for publication in 2016. At noon, on an early October day in 2014, after wrapping a scene at the Plainview Library for my sixth film Mad Women, a scene that would end up on the editing room’s digital floor, I commandeered a crew car and chaffeured a breakaway team to race back to Massapequa, Long Island. I needed to film […]
by Jeff Lipsky on Jun 9, 2015Released in 1975, Joan Micklin Silver’s feature debut Hester Street is the story of immigrant Jews assimilating with various degrees of success to turn-of-the-century New York City. She followed with two contemporary works: 1977’s Boston alt-paper story Between the Lines and 1979’s Chilly Scenes of Winter. The latter is set to screen tomorrow at NYC’s IFC Center as part of the “Celluloid Dreams” series, whose premise would not have made sense in the very recent pre-DCP past: it aims to show repertory cinema on 35mm. Chilly Scenes is based on Ann Beattie’s first novel, which primarily concerns itself with Charles (John Heard) and his deathless, […]
by Vadim Rizov on Nov 11, 2014Along with Labor Day, IFP’s Independent Film Week marks the end of Summer for me. It is a time to get back into the work groove and make plans for the year ahead. In this vein, the Independent Filmmaker Conference started yesterday with a day of panels dedicated to the future of film. Joana Vincente, Executive Director of IFP, opened the conference by noting a flurry of acquisitions at the recently completed Toronto International Film Festival and suggesting that things may be starting to look a little rosier for the independent film business. There were certainly some notes of optimism […]
by Ingrid Kopp on Sep 20, 2010[PREMIERE SCREENING: Monday, Jan. 19, 2:30 pm — Prospector Square Theatre, Park City] I’m known far and wide as a contrarian. Perhaps that’s a justified accusation. For in approaching my new film, the American Spectrum selection Once More With Feeling, I consciously elected to honor a very fine, very touching and very entertaining script by celebrating old-school filmmaking trappings within our very limited budget, though we did shoot in HD, a method I found to be more time-consuming and no less costly than shooting on film (but those are issues for a different article). Once More With Feeling is both […]
by Jason Guerrasio on Jan 19, 2009