As a girl—I mean, when I was younger—I would watch films about beautiful girls in the hope that I could somehow learn beauty, the fairytale story; that, by proximity, beauty would rub off on me; that I could contour myself in its image, or put it on. I was irrevocably convinced that beauty would save my life. Beautiful girls live life on easy mode. People give you whatever you want when you’re a beautiful girl. This is sort of true, but nothing in life is free. In return, what they demand is you. Jennifer’s Body is a film about best […]
by Matilda Lin Berke on Jul 11, 2023Ever since her auspicious debut with Girlfight in 2000, director Karyn Kusama has been drawn to stories about flawed, driven protagonists, but she’s never had a heroine as forceful or complex as Erin Bell, the LAPD detective played by Nicole Kidman in Destroyer. Bell is a onetime undercover cop whose experience infiltrating a gang of thieves went horribly wrong, and who lives in a constant state of regret, resentment and rage — a volatile combination when the murder of one of her former associates opens up old wounds. The expertly constructed script, by Kusama’s frequent collaborators Phil Hay and Matt […]
by Jim Hemphill on Dec 17, 2018Here’s the way it used to be. You made an edgy, well-received independent film, one that showed your facility to tell a story and work with actors, and the smart Hollywood scripts — quality writing that required the touch of someone outside the system — would arrive in those expensively-printed agency binders. And that’s the way it seemed to be playing out for Karyn Kusama, who made an excellent debut with her gritty, low-budget Girlfight, a female boxing movie that launched the movie career of Michelle Rodriguez. But then a couple of things happened. First, her follow-up, Aeon Flux, was […]
by Scott Macaulay on Sep 9, 2009