“Like an Abel Ferrara Jr., [Calvin Lee] Reeder meshes thought and design with genre storylines, like a Euro-filmmaker making ’70s drive-in films,” wrote Mike Plante in his 2007 25 New Face profile of the Portland, Ore.-born filmmaker. Sixteen-years later, the alt-horror auteur is still moving between the border spaces of various horror and science-fiction sub-genres, with his newest work — the SXSW-premiering independent TV pilot Harbor Island — being one of the most existentially offbeat yet. The festival’s program book provides the narrative gist but not the work’s extremely odd affect, which is something like watching Rupert Pupkin act in […]
by Scott Macaulay on Mar 12, 2023