Juno Temple is on the move. For an interview regarding her loaded roster of new roles, in films as disparate as Killer Joe, Jack and Diane, The Dark Knight Rises, and Little Birds (released this Friday), the 23-year-old blonde Briton is calling from a car, which is shuffling her from one L.A. commitment to the next. “I’m sorry, I might lose you,” she says through a bit of static, shortly before the call is indeed dropped. But within moments, Temple is back on the other end again, her coo of an accent as beguiling as her onscreen presence. The whole […]
by R. Kurt Osenlund on Aug 28, 2012THE LATE, GREAT JOE STRUMMER IN JULIEN TEMPLE’S JOE STRUMMER: THE FUTURE IS UNWRITTEN. COURTESY IFC FIRST TAKE. For 30 years, Brit Julien Temple has combined his dual passions of film and music, and worked with greats in both fields along the way. He first came to prominence with The Great Rock ‘n’ Roll Swindle (1979), the Sex Pistols’ madcap cinematic offering, and from there went on to become an important figure in the fledgling pop video medium as well as pioneering the feature-length promo with the Human League’s spy-themed Mantrap (1983) and Mick Jagger’s Running Out of Luck (1987). […]
by Nick Dawson on Nov 2, 2007In The Observer, director Julien Temple describes his nervous breakdown to Simon Garfield when he felt “paralyzed by film” while making a documentary on the Glastonbury Film Festival. After shooting 250 hours of footage at the 2002 edition, Temple realized that there was so much more about the festival’s history that he wanted to capture. So, he put out a call to anyone who had any footage of any one of the Glastonbury festivals, and the envelopes starting pouring in: ‘These padded envelopes kept arriving and you thought, “Oh my God,”‘ Temple recalls in his converted editing barn near Bridgwater, […]
by Scott Macaulay on Mar 26, 2006