Back in 2015, I wrote an article for Filmmaker on the best practices for delivering an exhibition copy of your film to festivals. In the ensuing two and a half, almost three years, I’ve received a lot of positive feedback, including a few panicked emails from filmmakers submitting their films to a festivals I worked at. Now in 2018, my editors have asked me to update it. Why the update now? Allow me the use of a clumsy and imperfect technical reference to Moore’s law that computing power doubles every eighteen months and the same has happened to available filmmaking […]
by Sergio Andrés Lobo-Navia on May 1, 2018Note (May 2018): the updated version of this article can be found here. Format. Codec. Audio. DCP. You’ve worked on your movie now for some time and have been eagerly waiting for acceptance emails from festivals. One lands in your inbox, and you excitedly read through the letter until, when you get to the festival’s technical requirements, you develop a sense of dread. The tersely worded communication from the technical director (glad we could finally meet) would put you to sleep if it didn’t terrify you. But don’t panic. Instead, phone your editor, and read this guide. Caveat emptor, though: […]
by Sergio Andrés Lobo-Navia on Oct 28, 2015