The issue of diversity in the film canon — the movies celebrated and studied at film schools across the country — has come under hot debate in the past couple of years, with students starting conversations about the larger consequences of curricular omissions. “When I look at a syllabus and there’s no one from my perspective on there, I wonder if my ideas will be taken seriously by Hollywood or by any producer,” admits Zsaknor Powe, a junior studying film at New York University’s Tisch School of the Arts. “It really affects the artistic self-esteem of the students,” explains Powe, […]
by Whitney Mallett on Jun 16, 2017Originally published in the Spring 2007 issue of Filmmaker. Killer of Sheep plays this week as part of the Milestone Films 20th Anniversary series at the IFC Center. “When I stumbled across a 16mm print of Killer of Sheep at film school in North Carolina, it was like finding gold. I had never seen an American film quite like it…raw, honest simplicity that left me sitting there in an excited silence. It echoed throughout George Washington, the first film that David Gordon Green and I made together.” — Tim Orr, cinematographer (All the Real Girls, Raising Victor Vargas) What sort […]
by James Ponsoldt on Nov 24, 2010