Adult Swim’s Tim And Eric, Awesome Show! Great Job and The Eric Andre Show ushered in a revolution of on-screen-comedy. Their new perspectives offered something so irradiated, shocking, non-linear and “random” that explaining them seemed inscrutable. You’d flip the channel if your grandma joined you at the television in fear you might have to justify it to her—in fear she might discover you’re insane. “These shows can only be the result of drug induced, inhuman, and unconscious improvisation!” The artists responsible for making you laugh are high, and maybe you ought to be while watching too. Those who “get it” […]
by A.E. Hunt on Aug 23, 2018A typical route for an archetypal, coastal-based independent filmmaker might look something like this. First, one goes to film school, hopefully at either one of the well-known private universities in New York or Los Angeles (Columbia, NYU, USC) with large alumni networks, or at one of the big state schools with laudable programs (Texas at Austin, UCLA). Ideally one makes a killer short that catches the attention and gains the respect of the gatekeepers. These individuals, whether they are agents, sales reps, festival programmers or writers for Filmmaker, may help a new filmmaker get the recognition and reputation within the […]
by Billy Brennan on Jul 17, 2011After the rush of sales in Park City this year, it seems the entire American cine-punditry is racing to declare this the beginning of a new golden age in American Independent Film. I sure hope they’re right. One wonders if March’s SXSW Film Festival in Austin will continue the trend and finally push that festival into true market status. Nearly 40 films were acquired in Park City and many more that premiered there will surely be acquired in the weeks and months to come. Yet for some of the most daring new American films, the sales rat race at Sundance […]
by Brandon Harris on Feb 4, 2011