Since the mid-1980s, when his serial performance work, Chang in a Void Moon, ran at New York’s Pyramid Club, John Jesurun has explored on stage characters and stories mediated by the images technology throws back at us. His formally ambitious plays use theater, music, and projection to tell narratively fractured tales that are both spellbindingly eerie as well as, sometimes, hilariously funny. His latest play, Stopped Bridge of Dreams, is running now at La Mama in New York City through February 5. As I’m traveling from Sundance to Rotterdam, I’m sad I’m going to miss it. But perhaps some of […]
by Scott Macaulay on Jan 26, 2012