Landfall
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The Carrier Bag Theory of Nonfiction Filmmaking: What Documentarians Can Learn from Ursula K. Le Guin
I teach documentary studies and production at the Skidmore College MDOCS program and run the MDOCS Storytellers’ Institute. When non-tenure track faculty recently organized to form a union, MDOCS curated a series of labor-related films to add to the conversation around labor organizing on campus. What should have been a fun project became increasingly frustrating because all the documentaries we found centered strikes—the most conflict-oriented, high-stakes and visible side of unionization. What we wanted to feature were the less-visible processes of labor organizing: meetings, conversations, collaborations and negotiations. We ended up screening two excellent films about striking workers, and although the screening generated […]
by Sarah Ema Friedland on Dec 15, 2022 -
“I Believe That Post-María Puerto Rico Functions Like a Handbook For Our Times”: Director Cecilia Aldarondo on Her Hurricane María Doc, Landfall
2017’s Hurricane María was an undeniable disaster, borne most brutally by the thousands who died in Puerto Rico during the storm and those who were left to mourn them. But as Cecilia Aldarondo’s new documentary Landfall makes clear, there is nothing ‘natural’ about the devastation — before, during, and after the hurricane — that the people of Puerto Rico have had to endure. A haunting meditation on the aftershocks of crisis and the trauma of state failure, Landfall is an exquisite film, by turns tender and compassionate, cinematically adventurous and self-assured, and politically unflinching in its indictment of those moneyed interests […]
by Brett Story on May 28, 2020
