I typically have two problems with found footage horror movies. First, it’s often hard to believe the characters wouldn’t simply drop their cameras once the body count begins. Just as the haunted house movie must present a sufficiently logical reason for the inhabitants to remain once the voices start whispering “get out,” the found footage horror movie must posit an acceptable rationale for why the cameras keep rolling. Second, the subgenre’s veneer of reality often means some of filmmaking’s most effective tools—score, editing, composition—are sacrificed on the altar of verisimilitude. The premise of Late Night with the Devil alleviates both […]
by Matt Mulcahey on Apr 11, 2024The air became almost oppressively heavy with humidity on my second proper morning of Overlook. Walking to a relatively cheap brunch outpost called Toast, my boyfriend and I became drenched in sweat from the weight of cotton pants and button-up shirts after a 10-minute walk in 9 AM sunlight. The news of a 20-minute wait for a table didn’t bother us: it meant we had exactly enough time to head back to the hotel and change into full-blown summer garments before being seated. The sudden immersion into a solstice-temperate climate didn’t trouble me (or my skin, which cleared considerably from […]
by Natalia Keogan on Apr 14, 2023The Overlook Film Festival announces today the films that won both Jury and Audience Awards during the 2023 edition. The seventh iteration of the horror-fueled festival took place from March 30 through April 2 in New Orleans, featuring over 50 films from 12 countries. This was an especially vital year for the festival, boasting 45 sold out screenings, 110 filmmaker guests appearing in-person and approximately 5,000 audience members in attendance. Two feature films were granted Audience Awards this year: first place went to Australian filmmakers Colin Cairnes and Cameron Cairnes ’70s TV talkshow spoof Late Night with the Devil. The […]
by Filmmaker Staff on Apr 6, 2023