Marguerite Duras
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“My Work Has Always Inhabited That Liminal Space Between Desire and Compulsion”: Five Questions for Michelle Handelman On Her New Installation at signs and symbols
In its final week at Manhattan gallery signs and symbols is artist and filmmaker Michelle Handelman’s installation, LOVER HATER CUNTY INTELLECTUAL, a kind of remix of last year’s large-scale SFMOMA installation Hustlers & Empire for the smaller and more intimate studio space. The previous exhibition was centered around three archetypal characters — “real and imagined hustlers” drawn from three seminal works: Iceberg Slim’s Pimp (1967), Marguerite Duras’s The Lover (1984) and Federico Fellini’s Toby Dammit (1968). This new exhibition focuses solely on a character inspired by Duras and the semi-autobiographical protagonist of her novel and performed by queer Latinx artist […]
by Scott Macaulay on May 21, 2019 -
“In My Film Time Is Shattered”: Producer Anatole Dauman Remembers Working with Alain Resnais
Coinciding with a 2000 retrospective of Alain Resnais’ work organized by both the American Cinematheque and the Film Society of Lincoln Center, producer Florence Dauman gave Filmmaker these quotes from her father, Anatole Dauman, about working with the great director. Through his company, Argos Films, Dauman produced or co-produced many of the masterworks of postwar European cinema – including Resnais’s Night and Fog; Hiroshima, Mon Amour; Last Year at Marienbad; and Muriel. On the occasion of Resnais’ death yesterday at 91, we are reprinting them here. Night and Fog (1956) “It was our first short film together. Would he accept […]
by Scott Macaulay on Mar 2, 2014
