Having living abroad for 19 years, music critic Philip Sherburne recently described the culture shock of returning home and trying to navigate an American supermarket: “the self-checkout machine accuses me of stealing and runs back video of me while calling for an employee to come intervene. Every time you turn around, it seems like a corporation is trying to screw you out of yet more money via another hidden fee. It’s no wonder Americans seem pissed off all the time. It’s a fundamentally hostile environment.” For me, some of the fun of attending Visions du Réel, a Swiss festival focused […]
by Vadim Rizov on Apr 24, 2024A decade ago, I interviewed Argentinian filmmaker Martín Rejtman for an hour, walking through the general scope of his career before discussing his then-most-recent feature, Two Shots Fired, which may help flesh out the parts of this interview relating to his first feature, Rapado. Rejtman’s new film, Riders, is only his second documentary. As I wrote in my dispatch on Visions du Réel 2024, where the film premiered, Riders kicks off in May 2020, with extended global lockdown fatigue ramping up; after an opening rally of delivery drivers protesting their horrible conditions (“It is inadmissable to normalize the bodies of […]
by Vadim Rizov on Apr 24, 2024Its title threatens a sudden loud blast, but Two Shots Fired wrongfoots viewers when its first sound isn’t from a gun but the jolting bass in a club where young Mariano (Rafael Federman) is dancing. He leaves, goes home, mows the lawn, finds a gun in the shed and fires twice — once at his head, once at his stomach, an action taken with the same blankfaced lack of passion as all the ones preceding it. “It was an impulse,” he non-explains. “It was very hot.” Mother Susana (Susana Pampin) removes all knives and other potential implements of self-harm from the house and has Mariano move in with […]
by Vadim Rizov on Oct 17, 2014