There are a set of rules that have long-guided ultra-low and microbudget production. Lots of daylight exteriors, one or two central locations (to minimize company moves and location rental cost), a small cast, no stunts, no child actors and a compressed shooting schedule. If today it’s not uncommon to see a 24-day schedule on films of $12 million, and most independents with sub $3-million budgets are boarded between 18 and 24 days, a filmmaker considering their first ultra-low-budget picture should think about going even lower, to 11 or 12 days, even. And, of course, shooting digital is probably the economically […]
by Scott Macaulay on Apr 19, 2025Ariella Mastroianni is an actor from New Jersey by way of Ontario, Canada. With director Ryan J. Sloan, she co-wrote and co-produced Gazer, which she also stars in. The film, which the duo shot on weekends over the course of two years, brings the paranoid thriller genre into wildly original new territory. On this episode, Mastroianni tells the story of deciding to shoot on film, using their own money, with no formal support, no connections, just a deep desire to make the film they were both dying to see. She talks about the tools her acting teachers (like Brad Fleischer […]
by Peter Rinaldi on Mar 18, 2025