During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? My first feature film, Cronies, had a small budget and production team. For Roxanne Roxanne, we had a bigger budget, and this allowed for a larger production team. This meant there were more moving pieces, which presented a slew of challenges on all levels. The fact that the film is a 1980s period film in the busy land of NYC complicated these challenges even more. There were […]
by Filmmaker Staff on Jan 28, 2017Michael Larnell grew his black-and-white debut feature Cronies through New York University’s Graduate Film program. Executive produced by NYU professor and project advisor Spike Lee, Larnell’s film follows three young men living in St. Louis as they discuss women, drugs, and other salacious topics of interest to innocently pass the time over a twenty-four hour period. A nonchalant, unassuming look at how men externalize their emotions, Cronies’ pleasures derive from its layered, amusing screenplay, documentary-inspired character interviews, and conflicted study of how far one will go to protect their brethren. As Cronies opens this Friday in IFP’s Screen Forward screening series, I spoke with Larnell about the decision […]
by Erik Luers on Dec 11, 2015