michael simmonds
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“One Light Has to Win”: DP Michael Simmonds on Halloween Ends
Pronouncements of finality by slasher franchises have always been amusingly premature. Final Chapters. Final Fridays. Final Nightmares: You can’t keep a good (or at least a profitable) slasher down for long. While Halloween Ends—the 13th film in the franchise—probably won’t be the last we ever see of Michael Myers, it certainly does feel like the conclusion of director David Gordon Green’s chapter of the story. Set four years after Halloween Kills, the new entry finds Myers long missing from Haddonfield and Jamie Lee Curtis’s Laurie Strode attempting to move on with her life. She’s relocated from her remote survivalist compound […]
by Matt Mulcahey on Oct 19, 2022 -
“Let Logic Steer the Ship”: Michael Simmonds on Shooting Halloween (2018)
In his book Making Movies, Sidney Lumet wrote that he once asked fellow director Akira Kurosawa why he’d framed a shot in his period epic Ran in a particular way. Kurosawa replied that if he’d panned the camera an inch to the left he would’ve seen a Sony factory. Panning an inch to the right would’ve revealed an airport. I don’t know if Halloween cinematographer Michael Simmonds has read Lumet’s book, but after chatting with him I’m confident he would appreciate that anecdote. Simmonds, whose diverse credits range from the horror sequel Paranormal Activity 2 to the acclaimed documentary Project […]
by Matt Mulcahey on Oct 31, 2018 -
Mumbai Masala
The way Ritesh Batra tells it, he used to be not very good at his job. The Indian-born writer/director had studied in the U.S. as an undergrad and ended up working at the financial consulting firm Deloitte, but though he “had a business background of sorts, I was a terrible, terrible consultant,” Batra says. “They call it ‘sitting on the bench,’ when you’re a bad consultant and they don’t want to send you to clients. I quit because I didn’t want to do something I was bad at all my life.” Batra, born and raised in India, had always wanted […]
by Nick Dawson on Jan 17, 2014 -
Ramin Bahrani, Chop Shop
ALEJANDRO POLANCO IN DIRECTOR RAMIN BAHRANI’S CHOP SHOP. COURTESY KOCH LORBER FILMS. Ramin Bahrani’s films are what one could term “outsider cinema,” and yet they are made with the quiet confidence of someone who knows he belongs. Iranian-American Bahrani was born and raised in Winston-Salem, North Carolina, and moved to New York to study film at Columbia University. After making the short films Backgammon (1998) and Strangers (2000), he spent three years living in Iran, his parents’ former home country. Once back in the U.S., his awareness of immigrant life and the psychology of the outsider found a voice in […]
by Nick Dawson on Feb 27, 2008
