Recently, I had to correct a friend of mine who referred to Thelma & Louise as an independent film. “Actually,” I said, “Thelma & Louise was 100% Hollywood, incredible as that may seem today.” It is not surprising that the Callie Khouri-penned story of two women escaping the law after killing a man for his attempted rape has developed an outlier reputation considering Hollywood’s response to it. Despite its critical and box office success, there were no copycat films made, no new genre emerged, no film movement was sparked. Since then, Hollywood has come nowhere close to producing another such […]
by Jennine Lanouette on Nov 15, 2017Producers don’t get all the props that they deserve, so I was happy to see the glam portrait of downtown New York producer Caroline Baron, whose credits include Monsoon Wedding and Bennett Miller’s upcoming Capote, in the new Vanity Fair. The article was as much about Baron’s activities as a specialty exhibitor, though, as her producing. What is her specialty distribution biz? Baron is the founder of FilmAid International, a non-profit organization that brings outdoor cinema to both countries devastated by war and the populations displaced by its effects. The organization also runs a video program that puts cameras in […]
by Scott Macaulay on Jun 16, 2004