Why not pair, rather than pit against one another, the great films of a given year? This was the question that led me to reconsider the year-end top-10 list in terms of double features. In 2016 and 2015 I ranked my favorite double features of the year on this very site. I love the double bill for its flexibility. You can pair films based on any connective tissue: style, setting, subject matter, theme, time period, director, star. Viewing and thinking about films this way urges you to consider them anew. What do we think of the suburban woes of Lady […]
by Soheil Rezayazdi on Jan 3, 2018Mother, the latest film by South Korean director Bong Joon-Ho, is an inky affair. The humor is dark and the sky is a soggy shade of gray. The bumbling characters have limited prospects, and when love exists, it’s intense and deranged enough to kill for. The central relationship in the film is between Yoon Do-Joon, a slow-witted young man, and his unnamed mother. The son is played by Wan Bin, a wide-eyed Korean heartthrob cast effectively against type; his good looks leave us continually disappointed by his character’s slow intellect. His protector, oppressor and champion—also known as his mom—is played […]
by Livia Bloom Ingram on Mar 10, 2010