music supervisor
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“I Wish Film Schools Would Teach Directors and Producers More About Music Rights”: Music Supervisor Lucy Bright
Early in music supervisor Lucy Bright’s career, she worked at Warner Classics and managed composer Michael Nyman. In 2020 she started Bright Notion Music, her own music publishing company, which has signed composers such as Hildur Guðnadóttir, Oliver Coates, and Anne Nikitin. She is known for critically acclaimed British films such as The Arbor and Slow West and more recently Tár, where her classical understanding and personal familiarity with the composers referenced in the script, helped create the movie that was named Best Picture by several major critics associations. Bright was also awarded the first ever prize for music supervision […]
by Arrow Peretz on Dec 19, 2023 -
“If You Know the Song, and Your Mother Knows the Song, You Can’t Afford the Song”: Music Supervisor Susan Jacobs Demystifies the Profession
Over her two-decade-long career, music supervisor and self-confessed music nerd Susan Jacobs has worked with directors such as Robert Altman, Jean-Marc Vallée and Spike Lee. She has worked on notable TV series and films such as I, Tonya, American Hustle, and Little Miss Sunshine. She won the first ever Emmy award for music supervision for her work on Vallée’s Big Little Lies, where she worked without a composer, handpicking specific sounds and musical artists for each character in an attempt to mirror the intricacies of their personal lives. On another Vallée project, Sharp Objects, Jacobs exhibited this aptitude again, building […]
by Arrow Peretz on Dec 19, 2023
