Nam June Paik: Moon is the Oldest TV

“The Second Act Is Always a Challenge”: Editor Taryn Gould on Nam June Paik: Moon Is the Oldest TV

In filmmaker Amanda Kim’s feature debut Nam June Paik: Moon Is the Oldest TV, the revolutionary 20th century video artist is conjured through archival footage, interviews with collaborators and journal excerpts read by Steven Yeun. The film charts Paik’s creative career and eventual relocation to the U.S., dissecting how his art has since influenced our understanding of moving images and the technology that produces them. Editor Taryn Gould discusses cutting the film, including the importance of highlighting Paik’s palpable sense of humor. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up […]
by Filmmaker Staff on Feb 6, 2023
“I Was Basically Operating as a One Man Band”: DP Nelson Walker on Nam June Paik: Moon Is the Oldest TV

Seminal video artist Nam June Paik and his extensive roster of iconic collaborators are the subject of Amanda Kim’s documentary Nam June Paik: Moon Is the Oldest TV. Utilizing archival footage and interviews with Paik’s contemporaries, the film also features Steven Yeun reading excerpts from Paik’s journals and artistic statements to bring the revolutionary creative to life anew. Cinematographer Nelson Walker discusses how he approached lensing the project, which began remotely due to COVID protocols. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What […]
by Filmmaker Staff on Feb 6, 2023
“I Saw the Benefits of Technology” | Amanda Kim, Nam June Paik: Moon Is the Oldest TV

Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I’m sure many productions experienced this unforeseen obstacle, but no one expected a pandemic in early 2020. And at the height of it when the world was shutting down, our production was scheduled to begin. I wasn’t sure when and how we were going to continue production. But during the quiet of the first couple of months in lockdown and […]
by Filmmaker Staff on Feb 6, 2023
Sundance 2023: Nam June Paik: Moon is the Oldest TV, Sorcery

In celebrating a radical artist via conservative formal means, Amanda Kim’s Nam June Paik: Moon is the Oldest TV represents a familiar contradiction. Paik’s legacy as a video artist and sculptor of television towers hasn’t yet gotten the full-length doc treatment; as a textbook talking-heads-plus-archival assemblage, Kim’s movie is easy to envision becoming a PBS staple. The film is fueled by a genuine desire to introduce his work to a wider audience, and it may well serve that commendable purpose; as an example of the current biodoc form, it’s slow going. Like many such works, it opens with a montage that’s essentially a […]
by Vadim Rizov on Jan 24, 2023

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