At the start of my interview with Tim Squyres, the editor of most of Ang Lee’s films, including his latest, Life of Pi, I tell him how much I like the movie. I say that I know I like it because its images, its ingeniously affecting conclusion, and, most of all, the headspace it created for me have lingered for days. Upon waking each morning, scenes have come flooding back. And the subtleties of the film’s ending, which contains a rich meditation on the role stories play in our lives, have resonated in my mind in unexpected ways. “I get […]
by Scott Macaulay on Nov 1, 2012