The last official day of Overlook arrived, and I was pleased to spend it watching a double feature of Joe Dante’s Matinee (a special 30th anniversary screening) and William Castle’s 1959 film The Tingler. The double header was programmed by Dante himself, and after the screening I was scheduled to conduct a 20-minute interview with the director. I’d seen Matinee before, and upon re-watch was struck again by how lush and detailed each aspect of the film’s production is. The set decoration only creeps up on ‘60s-era pastiche, managing to evoke nostalgic memory more than hokey over-stylization. Even the wardrobe […]
by Natalia Keogan on Apr 27, 2023The air became almost oppressively heavy with humidity on my second proper morning of Overlook. Walking to a relatively cheap brunch outpost called Toast, my boyfriend and I became drenched in sweat from the weight of cotton pants and button-up shirts after a 10-minute walk in 9 AM sunlight. The news of a 20-minute wait for a table didn’t bother us: it meant we had exactly enough time to head back to the hotel and change into full-blown summer garments before being seated. The sudden immersion into a solstice-temperate climate didn’t trouble me (or my skin, which cleared considerably from […]
by Natalia Keogan on Apr 14, 2023After a four-hour flight delay (owed to a malfunctioning back-up system accessory, subsequent plane evacuation and a lengthy re-fueling process), I arrived in New Orleans exhausted but still, miraculously, eager to spend much more time sitting in a shifting rotation of seats. Even if I wanted to, I wasn’t entitled to complain much. I’d been invited to cover the annual genre-themed Overlook Film Festival, now in its seventh year, and was genuinely thrilled by the opportunity. As a relatively green (not to mention newly full-time) magazine staffer, longtime horror obsessive and someone who’d yet to visit New Orleans, Overlook presented […]
by Natalia Keogan on Apr 12, 2023