In the middle-aged revenge fantasy movie, the protagonist’s onslaught of violence is a reluctant one. In your John Wicks or Takens, these are men forced back into action by a transgression so grievous it demands brutal retribution. They don’t want to, but they have to. As director Ilya Naishuller points out, Nobody is an inversion of that formula. When Bob Odenkirk’s retired assassin Hutch is jarred from suburban drudgery by a home break in, he loses only a few bucks, a kitty cat bracelet and some pride. Hardly a kidnapped daughter or a murdered puppy. Hutch doesn’t have to dust off […]
by Matt Mulcahey on May 20, 2021In the span of just two features, writer/director Ari Aster and cinematographer Pawel Pogorzelski have forged a signature style that cloaks the heightened emotions of melodrama behind the veil of the horrific. In last year’s Hereditary, the Ordinary People-esque family tragedy unfolded in a haunted house, where a matriarch’s sense of being cursed manifested itself literally. In the new film Midsommar, the crumbling relationship between two American grad students plays out against the backdrop of an isolated Swedish community whose harvest festival isn’t quite as benign as it first appears. With Midsommar out now in wide release, Pogorzelski talked to […]
by Matt Mulcahey on Jul 11, 2019