PGA
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Ventilation, the 10-Hour Day, and No Day Players: 14 Takeaways from the PGA’s New COVID Safety Protocols
The Producers Guild of America (PGA) issued this week “COVID Safety Protocols for Producing Independent Productions,” a 57-page set of mandates, recommendations and guidelines for shooting during the coronavirus pandemic. Following similar documents — like the more studio-oriented “Safe Way Forward,” issued by IATSE, SAG-AFTRA and the DGA — the PGA paper, drafted by its Production Safety Task Force, both further codifies new industry safety practices while addressing issues specific to independent (i.e., non-studio or streamer-backed) productions. Additionally, like this summer’s documentary guidelines from Doc Society, Field of Vision and Sundance Institute, the PGA’s “COVID Safety Protocols” broadens its mandate […]
by Scott Macaulay on Sep 3, 2020 -
THE PGA RESPONDS TO KARIN CHIEN’S OPEN LETTER
On Monday we published producer Karin Chien’s open letter to the Producers Guild of America about the exclusion of her feature, Circumstance, from awards eligibility due to it being filmed in the Farsi language. Here is their response Producers Guild of America response to Karin Chien’s open letter: We appreciate the passion and commitment behind responses such as Karin Chien’s, who has every reason to be proud of her work and the acclaim her film is receiving. Unfortunately, the Producers Guild has not recognized foreign language films as eligible for its awards because of the unique position the Guild holds […]
by Scott Macaulay on Dec 15, 2011 -
An Open letter To The Producers Guild Of America From Producer Karin Chien
The following is an open letter producer Karin Chien (Circumstance, The Exploding Girl) is addressing to the Producers Guild of America. An Open Letter to the Producers Guild of America. Recently, a film I produced with Melissa Lee and Maryam Keshavarz, CIRCUMSTANCE, was submitted for the Producer’s Guild of America’s awards consideration. CIRCUMSTANCE is a hard film to categorize: it’s a story of teenage love and personal freedom set in Iran, filmed in Beirut, edited in Chile, finished in France, and financed primarily by U.S. sources. And the film is in Farsi. We knew we were a long shot to […]
by Scott Macaulay on Dec 12, 2011 -
PGA: TRANSMEDIA PRODUCERS HAVE ARRIVED
Okay, I guess it’s official now. As Deadline Hollywood is reporting, the Producer’s Guild of America has officially created a new category for the “transmedia producer.” From Nikki Finke’s piece: I’ve learned that a significant All-Boards meeting for the Producers Guild of America took place tonight. Sources tell me that the members voted on a series of amendments that qualify individuals as professional producers. More importantly, for the first time in the guild’s history, they voted on and ratified a new credit — that of the Transmedia Producer — which had been shepherded by such Hollywood names as Mark Gordon, […]
by Scott Macaulay on Apr 6, 2010
