Every cinephile knows the curatorial bliss of a great double feature. A flexing of film nerd muscles while sitting on your ass for three to five hours, a double bill brings two films into dialogue with one another based on style, subject, theme, or whatever connective tissue you can find. Double features, like well-sequenced mixtapes, require the instincts of a programmer. Thanks to streaming, digital rentals, and the perennial ease of sneaking into a second film at your local AMC, the work of making a double bill happen has never been easier. Below, I rally through 10 great double features from […]
by Soheil Rezayazdi on Jan 5, 2016Still bearing facial scars from vain attempts to kill her in a concentration camp, the festering infection that followed, and drastic plastic surgery to re-create her (the doctor’s term) in a hospital in her bombed-out hometown of Berlin, the once ravishing Jewish chanteuse Nelly Lenz (Nina Hoss) recklessly saunters out alone into the night to search for the Aryan pianist husband she has not seen since her arrest. Extremely self-conscious, she asks a blind street musician where to even begin looking. Pointedly, he recommends the American sector: That’s where the clubs and the action are. The film’s title is the […]
by Howard Feinstein on Jul 24, 2015The more you consider the nuances of German filmmaker Christian Petzold’s latest feature, Phoenix, the more difficult it is to articulate exactly what this mysterious and allusive drama is really about. It’s the director’s seventh feature for cinema (discounting the five he has made for television), and the fifth he has made in collaboration with actress and avowed muse Nina Hoss. While not quite stripped down to Bressonian levels of formal curtness, Petzold’s style is without fuss. As he explains below, his mode of storytelling is generally more reflective and assiduously built through alternating perspectives than it is literal or […]
by David Jenkins on Jul 23, 2015