Presence
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“14 Inches From a Very Personal Form of Murder”: Steven Soderbergh on Camera as Character and His Sundance Horror Film, Presence
The following interview of Steven Soderbergh about Presence was originally published last year when the film premiered at the 2024 Sundance Film Festival. It is being reposted today as the film is released in theaters from NEON. — Editor A heady, elegantly-constructed ghost story, Steven Soderbergh’s Presence has a bunch of half-buried threads, a couple of perfectly-timed scares, and a horrific close-up of an act of violence that mesmerizes the camera—just as horror films mesmerize their audience. The camera is the star here, and not merely because its sustained, floating movements, its sudden turns and retreats, its anxious hovering display […]
by Amy Taubin on Jan 24, 2025 -
“The Boys in the Basement Were Very Active On This One”: Screenwriter David Koepp on Writing Steven Soderbergh’s Ghost POV Thriller Presence
Updating the themes of The Conversation and Blow Out for the pandemic era, 2022’s Kimi, Steven Soderbergh’s thriller about the panoptic world of voice assistants, marked the director’s first realized collaboration with veteran screenwriter David Koepp, whose filmography is noteworthy for his many scripts written for legendary auteur directors, including Brian DePalma (Carlito’s Way, Snake Eyes, Mission Impossible), Steven Spielberg (Jurassic Park, The Paper), and David Fincher (Panic Room). And that’s in addition to his direction of his own scripts, including Stir of Echoes and Ghost Town. Now, with another fleet, multi-layered thriller, Presence, Koepp continues his collaboration with Soderbergh, […]
by Scott Macaulay on Jan 22, 2025 -
Sundance 2024: Presence, A Real Pain
An experiment in shooting a movie entirely from a first-person POV, Steven Soderbergh’s Presence has conceptual precedents but no meaningful ones in terms of the camera’s weight and the operator’s resulting physical relationship to it. 1947’s Lady in the Lake tried nonstop subjectivity with a bulky 35mm camera; 2009’s Enter the Void eliminated the embodied camera in its second half of weightless drifting. More recently there’s Hardcore Henry, which strapped GoPros to its protagonist’s head for a bouncy embodiment of a stuntman’s hardest workday. In Presence, Soderbergh’s longtime practice of acting as his own cinematographer and operator takes on an […]
by Vadim Rizov on Jan 21, 2024
