If you’re a TikTok-using film producer, then the feed of Alex Saks has undoubtedly been delivered straight to your phone by that platform’s ruthless and unerring algorithm. Over the past year-and-a-half, and across nearly 200 clips, Saks, a former ICM financing agent and more recently a producer of such films as The Florida Project, Thoroughbreds, and Sometimes I Think About Dying, has been dispensing on the platform pithy, direct pieces of advice on topics such as securing book rights, defining the role of the line producer, imposter syndrome and the state of the industry. There’s the occasional stitch or commentary […]
by Scott Macaulay on Aug 9, 2024With over 30 assorted producing credits ranging from Martha Marcy May Marlene to An Oversimplification of Her Beauty to The Benefactor, Andrew Corkin is a constant figure in New York’s independent film scene. Uncorked, the production company he runs with partner Bryan Reisberg, has a filmography encompassing shorts, features, television and web, and the material ranges from auteur independent drama to so-called “elevated genre” pictures like Emelie, in theaters and on VOD platforms now from Dark Sky Films. Corkin’s most recent production, The Alchemist Cookbook, world premieres next week at SXSW. Last year I sat down Corkin for a public […]
by Scott Macaulay on Mar 9, 2016“How do I find a producer?” It’s a question asked by many first-time independent writer/directors, and there’s good reason this seemingly simple query is so vexing. Screenwriters selling commercial screenplays and directors seeking employment on Hollywood pictures are guided by standard, usually market-based protocols. But it’s not so easy for budding independent auteurs — those without agents, managers or box-office track records. For them, partnering with a producer is as much about building a personal relationship as scoring a business transaction. At least, that’s what a number of producers interviewed here likened it to. Mary Jane Skalski (Very Good Girls, […]
by Scott Macaulay on Dec 21, 2014The below post was written by Billy Mulligan, producer of the SXSW film, Yelling to the Sky. Six days of nonstop on-the-go hustle, with a few moments of pause for food coma recovery. That’s my SXSW in a nutshell. As a SXSW first-timer, I had heard countless times that it’s important to take the time to appreciate the Austin foodscape. After finally experiencing some of the culinary delights myself, it can’t be stressed enough that the Trailer Food culture that is ingrained into every fiber of the city is enough of a reason for any man, woman or child to […]
by Filmmaker Staff on Mar 17, 2011The bloggers at Spin and Stir have been writing about the Bob Yari vs. the Producers Guild of America lawsuit and in this post offer perhaps a more nuanced account of the reality of the producing business today than the PGA’s more idealistic definition. The end of the post has a hilarious producer breakdown comparing a good independent film (Capote, 12 producers) and a bad studio film (Pink Panther, 3 producers), countering all those Variety reviews that love to count off producer credits as if a lot of producers is a bad thing. Here’s from the end of the piece: […]
by Scott Macaulay on Mar 17, 2006