Proxy
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In Sorrow and Anger
Zack Parker’s immaculately twisty and disturbing Proxy is set in the filmmaker’s hometown of Richmond, Ind., where Parker has lived, worked and cultivated a base of crew, performers and investors for most of his adult life. It’s a film that stays with you even as it feels both familiar and remote. At once homespun and remarkably deft, it demonstrates an ambitious director who, in a place without obvious networks of filmmaking support, has figured out how to make remarkably accomplished work for peanuts in that now much sought-after “elevated genre” space. A scene of shocking brutality opens Parker’s fourth feature. […]
by Brandon Harris on Apr 28, 2014 -
Toronto International Film Festival 2013
With 288 films unfolding over 11 days, the Toronto International Film Festival offers just about every type of viewing experience imaginable, with every viewer becoming their own curator, cherry-picking from within their favorite sections. Business types congregate around the big acquisition titles. Cineastes check out the greats of world cinema, arriving in Toronto after Cannes. Discoverers peruse the Vanguard section searching for new talent. But what’s less often commented upon are the viewing experiences a large festival like Toronto produces for viewers intending to sample from it all. Entering a theater involves, before the lights dim, a mental recalibration, an […]
by Scott Macaulay on Oct 21, 2013 -
IN PRODUCTION: “PROXY,” “THE BUTLER,” “SOMEONE MARRY BARRY” and “THE SPECTACULAR NOW”
“In Production” is a regular column which focuses on notable independent films that are currently shooting. Shooting from mid-July in Eastern Indiana, Scalene director Zack Parker’s Proxy is a suspense thriller about Esther (Alexia Rasmussen), a pregnant woman who joins a support group after being attacked one night and strikes up a dysfunctional relationship with a fellow victim (Alexa Havins). Parker’s last feature Scalene, which is set for release on Blu-ray, DVD and VOD on July 31st, received glowing reviews for its clever use of the fractured narrative – potentially one of the most over-used cinematic devices of the past three decades. Parker has […]
by Byron Camacho on Jul 30, 2012
