The 22nd NewFest, New York’s LGBT Film Festival announced its winners over the weekend. Top winners include Xavier Dolan’s I Killed My Mother for Best Narrative Feature and The Topp Twins: Untouchable Girls by Leanne Pooley for Best Documentary. The Festival took place June 3-13 in New York City’s Chelsea neighborhood. List of winners Jury Awards: Best Narrative Short: “Curious Thing” by Alain Hain Best Documentary Short: (Tie) “At Night I Was Beautiful” by Steven Wilsey; “Last Address” by Ira Sachs Best Documentary Feature: “The Topp Twins: Untouchable Girls” by Leanne Pooley Best Narrative Feature: “I Killed My Mother” by […]
by Jaimie Stettin on Jun 15, 2010Outfest 2010: The 28th Los Angeles Gay and Lesbian Film Festival will screen 147 films from 23 countries and host panels and events throughout the city, from July 8-18. Opening with Rob Epstein and Jeffrey Friedman‘s Howl and closing with J.B. Ghuman, Jr.’s Spork, Outfest will have two other gala screenings as well as a number of special screenings of LGBT classics like Clueless and Hustler White. Here is the complete list of Outfest features: Opening Night Gala – HOWL, Rob Epstein and Jeffrey Friedman (July 8 at 8:00pm – Orpheum Theatre) Closing Night Gala – Spork, J.B. Ghuman, Jr. […]
by Jaimie Stettin on Jun 3, 2010Here’s Anthony Kaufman’s Industry Beat column for the upcoming Winter issue. “Gay Marriage Ban Inspires New Wave of Activists,” declared a recent headline in The New York Times. If the passage of California‘s Proposition 8 initiative — which denied same-sex couples the previously granted right to marry in the state — could stir hundreds of newly politicized members of the gay community to join together and fight back, will that same activist energy jolt America‘s gay and lesbian filmmakers to do the same? If a new, more radicalized LGBT cinema were on the rise, trend spotters would likely find murmurs […]
by Jason Guerrasio on Jan 9, 2009Screenwriter and critic Larry Gross offers a deep reading of V for Vendettain Movie City News in which he claims that not only is the film’s masked figure “the gayest superhero of all time,” but that the film’s narrative uses “the gay political agenda” as a narrative force against a more generalized repressive order: In any case, V for Vendetta forwards the gay political agenda far more vigorously, unapologetically and, one might say, passionately than Brokeback ever did. But I wonder if the gay community wants this kind of almost apocalyptic gesture any more than the Democratic party wants Feingold […]
by Scott Macaulay on Mar 24, 2006