Rodney Ascher
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Render Time: Director Penny Lane Talks with A Glitch in the Matrix Director Rodney Ascher about His Reality-Questioning Documentary
In 1977, a characteristically fervid Philip K. Dick arrived to lecture at a science fiction convention and share his experiences from three years earlier, when he became convinced that the world was a simulation, one of many (“there may be 30 or 3,000 of them”) operating simultaneously, glimpses of which he’d seen. Clips from this speech (“If You Find This World Bad, You Should See Some of the Others”) and the Q&A that followed frame Rodney Ascher’s A Glitch in the Matrix. In the five-chapter (plus an epilogue) dive into the world of “simulation theory,” Ascher focuses on five subjects […]
by Penny Lane on Feb 10, 2021 -
Rodney Ascher on Room 237 and the Haunting of The Shining
A must-see for not just fans of The Shining but anyone who has been obsessed by a movie, Rodney Ascher’s Room 237, opening today, is a documentary about a group of online fans, scholars and theorists who have dedicated their lives — or at least their leisure hours — to unpacking bizarre, alternative interpretations about Stanley Kubrick’s horror classic. Above, recorded last year at the Cannes Film Festival, I discuss with Ascher the origins of his film, why you never see the faces of his interview subjects, and Fair Use. Ascher is interviewed in the latest issue of Filmmaker by […]
by Scott Macaulay on Mar 29, 2013 -
Overlooked: Director Rodney Ascher on His Documentary about Stanley Kubrick’s The Shining
NICHOLAS ROMBES checks in to Room 237 and the underground world of Kubrick obsessives with director RODNEY ASCHER.
by Nicholas Rombes on Jan 21, 2013 -
NEW YORK FILM FESTIVAL ANNOUNCES SIDEBAR PROGRAMS
Following on from the announcement of its main slate, the New York Film Festival has unveiled the event’s sidebar programs, which includes a sneak preview of three episodes of Oliver Stone’s forthcoming Showtime series Untold History of the United States. For me, the most exciting strand of those just announced is Cinema Reflected, which has such titles as Room 237, Rodney Ascher’s obsessional examination of Kubrick’s The Shining; Marina Zenovich’s follow-up doc Roman Polanski: Odd Man Out; a bizarre concoction by Taxidermia director György Pàlfi called Final Cut — Ladies and Gentlemen which proclaims to be scenes from 450 of […]
by Nick Dawson on Aug 21, 2012 -
“ROOM 237” AND THE MUSIC OF “THE SHINING”
I’m leaving Sundance this year was the longest list of films I missed but really want to see then ever before. At the very top of is Room 237, Rodney Ascher’s treatise on the multiple meanings viewers have constructed from Stanley Kubrick’s The Shining. “Discover why many have been trapped in the Overlook Hotel for over 30 years,” is the film’s beguiling tagline. Here, via Lance Weiler’s Text of Light, is an excerpt about the music.
by Scott Macaulay on Jan 27, 2012 -
Room 237 | Director, Rodney Ascher
[PREMIERE SCREENING: Monday, January 23, Noon – Egyptian Theatre, Park City] Growing up I had planned on being a comic book artist, but at some point decided it’d be a little lonely spending all day in front of a drawing board by myself while filmmaking seemed like going on an adventure with a crazy group of friends. But years later I found myself working on this film alone in front of the computer for weeks on end, so joke’s on me. Of course THIS story, about how one film has managed to inspire so much speculation and become so important […]
by Filmmaker Staff on Jan 23, 2012
