In one of my favorite recent video essays, “Rohmer’s Guessing Games,” Kevin B. Lee explores the POV shots and blocking in A Summer’s Tale as a means of muddling character motivations. The above inquiry, from Joel Bocko, into eye contact throughout Satyajit Ray’s The Big City as a mode of character development, makes for a rather nice companion piece, and also a nice reminder of how storytelling is consistent in the finer details.
by Filmmaker Staff on Jul 8, 2015Here’s a video from a less-explored part of the late Richard Attenborough’s career. In 1977, Attenborough went to India to take a supporting part in the great Satyajit Ray’s The Chess Players. In this rare fragment from a TV interview at the time, Attenborough marvels at the all-encompassing nature of Ray’s craft: “He writes the screenplay, he composes the music, he directs it, he operates the camera. He half-lights the set. Certainly he works with the lighting cameraman in such detail that any source of light or change that he wants he gets. He edits his own films, almost as […]
by Vadim Rizov on Aug 25, 2014