Stephania Dulowski
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“The Final Film Often Grows From a Process of Letting Go of Preconceived Ideas…” Editor Stephania Dulowski on Bunnylovr
In Katarina Zhu’s Sundance Competition debut, Bunnylovr, a New York City-based Chinese American cam girl (played by the writer/director) navigates a number of fraught personal relationships (her ex, terminally ill father, artist best friend and one boundary-pushing client) while also caring for a white rabbit, a gift from said client. Working with Zhu to hone and focus these storylines was editor Stephania Dulowski, a Sundance veteran who cut Haley Elizabeth Anderson’s 2024 title, Tendaberry. Below, Dulowski talks about focusing on character, delineating the film’s final beats, and how working within a commercial house has influenced her approach to editing. Filmmaker: […]
by Filmmaker Staff on Feb 10, 2025 -
“Feedback Helped Shape a More Comprehensive Narrative”: Editor Stephania Dulowski on Tendaberry
When her boyfriend travels to Ukraine in order to care for his sick father, 23-year-old Daokta (Kota Johan) finds herself roaming around New York City, finding both community and adversity in Tendaberry, the feature debut from writer-director Haley Elizabeth Anderson. Tendaberry is also editor Stephania Dulowski’s first feature-length project. Below, she describes how she approached cutting Anderson’s film, which premieres during the 2024 Sundance Film Festival in the NEXT program. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes […]
by Filmmaker Staff on Jan 21, 2024
