The Alliance of Documentary Editors published scheduling guidelines that suggest one month per ten minutes of finished content as a reasonable editing timeline for the “average” documentary, with adjustments based on quantity of footage, team members’ experience levels and so on. For a single episode of a miniseries, the guide recommends “20 to 24 weeks for a full hour (60 min)” as a starting point. (I am a member of the organization but had no involvement in this paper.) True crime editors report that, increasingly, edits are falling well short of those benchmarks, for reasons that are complex and reflect […]
by Daniel Garber on Jun 27, 2024For a playwright, making their feature directorial debut comes with a certain degree of anticipatory hype, and the results are evaluated with a fine-toothed comb to make sure they aren’t too “wordy” or “stagey.” As with David Mamet’s House of Games, Kenneth Lonergan’s You Can Count on Me, John Patrick Shanley’s Joe Versus the Volcano or Celine Song’s Past Lives, Pulitzer Prize-winning playwright Annie Baker’s Janet Planet should put any fears to rest as to how the director would take to creating specifically for the screen. Not that there should have been any doubt: Her interests have long been steeped […]
by Erik Luers on Jun 27, 2024Everyone who welcomes the seriousness of the climate crisis into their lives does it in a different way, but there are common patterns. For me, it was precipitated by a weeks-long period of research into climate science for work, creating a new intensity that physically manifested as a panic attack, my first time experiencing this. There are a few representations of such realizations/radicalizations in recent films. In First Reformed, there are scenes of Reverend Toller, his face lit by the computer screen at night, researching climate change, looking at many different websites and reports on his computer. In How to […]
by Deniz Tortum on Jun 27, 2024Visit the website of Emmy-winning Milwaukee-based advertising and marketing company SRH, and you’ll be presented with a graphic extolling the firm’s concept of “empirical marketing.” In return for a mailing list signup, a free ebook download promises to teach you how to “burn fat & grow muscle” and to “trim flabby, underperforming campaigns.” And while many of the clients listed on its site hail from the health and wellness space, the lean, low-fat philosophy suggested by the company’s branding can extend to film as well, as Kurt Ravenwood—the “R” in SRH—has proven with the independent adventure comedy hit Hundreds of […]
by Doug Dillaman on Jun 27, 2024Imagine you are in the basement of a home somewhere in the suburbs amid towers of cardboard boxes and items bought in bulk. There are bikes with training wheels and cobwebs between the spokes. Behind a broken recliner is a fake Christmas tree with garland and fairy lights still on it. On wire shelving racks are boxes filled with VHS tapes and DVDs. You see Sky Captain and the World of Tomorrow, Meet the Fockers, Waiting to Exhale, The Godfather trilogy box set and the 25-disc edition of Six Feet Under. A few of the videos are still wrapped in […]
by Joanne McNeil on Jun 27, 2024Every now and then—winter break, summer break—I purchase a new notebook at the local Blick intending to take up drawing, a practice far from my discipline of cinema studies. This notebook need is not driven by my usual academic hubris, which asks smugly, often with a shrug, “Really, how hard could it be?” but by something more feral and fervent. Like, if I could put pen or pastel to paper, something pure would pour forth, heart to hand to drawing. There would be color and expression and the ineffable, all in a scribble. And if you think I’m exaggerating: There […]
by Holly Willis on Jun 27, 2024In Between the Temples, Jason Schwartzman, looking suddenly on the verge of middle age, and with a disconcerting new depth to his eyes, plays a cantor unable to find his singing voice. “The cantor who can’t” might be the hook for any number of lively (or annoying) comedies set in a synagogue, but Nathan Silver has delivered not only the version I’d actually want, but one I could never have believed possible—one of the best films of his busy early career, one of the best romantic comedies in decades. Schwartzman’s romantic partner-in-crime—his counterpart, his frenemy, his fateful nemesis, in the […]
by Jonathan Lethem on Jun 27, 2024I shouldn’t have been surprised by the number of cadavers I saw—the four-day cruise was, after all, never about the destination (Cozumel?) and entirely about the journey, hundreds of miles through legally murky international waters with the promise of a lethal formula: “Hot sun. Cold cases. Unforgettable vacation.” A marine offshoot of the hugely successful CrimeCon, the 2023 CrimeCruise promised lectures from famous crime scene investigators, podcast hosts and a self-described “walking lie detector” to an almost entirely white, female audience that preferred to avoid sunburns, instead spending time in windowless lecture halls interpreting stippling patterns and keyhole-shaped entry wounds. […]
by Daniel Garber on Jun 27, 2024As I type this editor’s note, Apple’s annual Worldwide Developers Conference, which I’ve had on YouTube in the background, has just ended. As many of you already know, the flagship announcement this year had to do with AI. Apple has dubbed its use of artificial intelligence “Apple Intelligence,” which refers to its systemwide integration across Apple operating systems and apps, use of in-house tools and privatized cloud servers. Its rebranding of the term “AI,” which didn’t even require them to change the initials, is a clever marketing move, as it elides the fact that Apple has shunned the use of […]
by Scott Macaulay on Jun 27, 2024