Reports of Sundance’s death are greatly exaggerated. Even before this year’s festival was over, industry journalists rushed to declare its demise, from The Wrap’s Sharon Waxman (“Low Sales. No Standouts. Slow Sundance. Where Does Independent Film Go From Here?”) to The Ankler’s Richard Rushfield (“Get it Together, Indie A-Holes. What part of ‘extinction event’ do you not understand?”). But let’s not jump to conclusions. Maybe “the vibe was off,” as one producer notes, but what do you expect after twin catastrophes—the Los Angeles fires and the inauguration of Donald Trump—were still smoldering during the event? “I think the market was […]
by Anthony Kaufman on Mar 18, 2025Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? There are so many memorable and important days throughout the process that I hold near and dear to my heart, but I think the wildest one was within our first week of filming. Because of the nature of our filming schedule, we had a light first week and then an extremely heavy three weeks […]
by Filmmaker Staff on Jan 28, 2025Each year, Filmmaker asks all the incoming feature directors at Sundance one question. (To see last year’s question and responses, click here.) We also send out cinematographer, editor and first-time producer questionnaires. This year’s question: Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Below, find links to each director’s individual response to the prompt. Keep checking back here during the festival, as […]
by Filmmaker Staff on Jan 23, 2025Each year, Filmmaker sends all Sundance feature film or series cinematographers a questionnaire to complete ahead of their film’s festival screening. We also send out a single question for feature directors to answer as well as questionnaires for editors and first-time Sundance feature producers. Below, find links to individual cinematographer responses, which will be updated daily during the festival. “We Wanted a Visual Language That Was Both Filmic and Intimate”: DP Guy Mossman on Speak. “A Feeling of Endless Night”: DP Arseni Khachaturan on April “With Each Location We Embraced Its Essence”: DP Matthew Chuang on Jimpa “It Was the Movie I’d […]
by Filmmaker Staff on Jan 23, 2025