Sundance Film Festival 2025
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“Having a Crew Was Not an Option: DP Gianluca Matarrese on GEN_
Patients seeking gender-affirming care and in vitro treatments in Italy flock to Niguarda public hospital, where Dr. Maurizio Bini is considered one of the preeminent experts in the field. This is the subject of director and cinematographer Gianluca Matarrese’s film GEN_, premiering in the World Cinema: Documentary Competition at Sundance this year. Amid an increasingly hostile conservative climate, Dr. Bini and his patients navigate social stigma alongside much-needed medical intervention. Below, Matarrese discusses the decision to film most scenes from behind a book shelf, being inspired by Frederick Wiseman and relying on natural lighting. See all responses to our annual […]
by Filmmaker Staff on Jan 24, 2025 -
“He Wanted To Share with People How To Embrace Death”: Editor Parker Laramie on André is an Idiot
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“This Was Our One Shot To Capture Something Lasting”: DP Ethan Indorf on André is an Idiot
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“Finally Allowing Myself to Grieve” | Tony Benna, André is an Idiot
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“Something Dangerous is Always Lurking Just Beneath the Surface” | Geeta Gandbhir, The Perfect Neighbor
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Our film is set in Ocala, Florida, just a 40-minute drive from Orlando—a place where beauty and stark contradictions are in constant tension. On one side, you have sprawling, wealthy horse farms and ranches; on the other, economically vulnerable communities living in close proximity to these affluent areas. The neighborhood at the heart of […]
by Filmmaker Staff on Jan 24, 2025 -
“A Journey of Nearly Two Decades Had Reached a Natural Conclusion” | Evan Twohy, Bubble & Squeak
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? I started working on Bubble & Squeak nearly twenty years ago, so there are many significant days to choose from. If I had to single out just one, I would choose our final day of production. That afternoon, we moved our company to an abandoned limestone quarry outside Tallinn, Estonia. On its shores, families […]
by Filmmaker Staff on Jan 24, 2025 -
“Being Able to Do Even Crude Ideas Yourself as an Editor Is Really Valuable”: Editors Austin Reedy and Mark Becker on The Librarians
In The Librarians, director Kim A. Snyder’s documentary chronicles the efforts of these educators in states like Texas and Florida in the face of sweeping book bans, which largely censor stories that center on LGBTQ and racial identities. Editors Austin Reedy and Mark Becker tell Filmmaker about working with archive, creating through lines in the edit and how this film “helps us build a more empathetic conversation about such an important institution.” See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and […]
by Filmmaker Staff on Jan 24, 2025 -
“Turn Her Trauma into Art” | Kate Beecroft, East of Wall
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“We Could Really Be Quite Merciless in the Edit”: Editor Jennifer Vecchiarello on East of Wall
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“A Continuous Swing Between Memories and the Present.”: DP Clarissa Cappellani on Brides
In Brides, UK teenagers Doe and Muna (Ebada Hassan and Safiyya Ingar) take an ill-advised trip to Syria to escape the constant feeling of being othered that follows them at home. The film, the debut feature by Young Vic Theatre artistic director Nadia Fall, examines teenage girlhood through a distinct sociopolitical lens. The film was shot in three different locations, meaning the production had new crews every two weeks. Director of photography Clarissa Cappellani (Misericordia, Salvatore: Shoemaker of Dreams) discusses working through those challenges and the films and photographs that she and Fall used as references. See all responses to our […]
by Filmmaker Staff on Jan 24, 2025
