Director Kim A. Snyder (Us Kids) turns her camera to the frontlines of the contemporary book-banning wave that is sweeping many U.S. states, particularly Florida and Texas, in The Librarians. The film is part of the 2025 Sundance Film Festival’s Premieres section and marks the first producer credit of Janique L. Robillard. Below, Robillard discusses the film’s origins and how the film’s subject connects to today’s film production industry. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect with this filmmaker and wind up producing the film? Robillard: I first worked with director-producer Kim A. […]
by Filmmaker Staff on Jan 28, 2025Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Our first meeting with John Battsek and Chris Smith was quite a moment, as I’m a fan of both their works. My partner in crime Erin Williams-Weir and I took a bit of risk personally funding the initial production for Never Get Busted! We cut together a teaser and pitched the project to John, […]
by Filmmaker Staff on Jan 28, 2025Following his 2022 film Hypochondriac, writer-director Addison Heimann’s Touch Me centers on two best friends (Olivia Taylor Dudley and Jordan Gavaris) who fall under the erotic spell of the same guy (Lou Taylor-Pucci). At least he looks like a guy; the truth is, he’s an intergalactic being ensconced in a human flesh suit. As the best friends vie for his affection, they gradually realize that they’re fighting for their right to live as much as love. Cinematographer Dustin Supencheck discusses his working relationship with Heimann, the importance of capturing vibrant colors and the influence of 20th century Japanese cinema on the […]
by Filmmaker Staff on Jan 28, 2025Shiro and Wachuka are two Nairobi women who attempt to transform the McMillan Memorial Library, a whites-only library until 1958, into a modern and vibrant cultural hub. Their attempts to navigate local politics and Kenya’s colonial history is tracked in How to Build a Library, husband-and-wife duo Christopher King and Maia Lekow’s follow-up to The Letter. King, besides co-directing, also served as the film’s cinematographer. Below, he explains the importance of capturing a Kenyan point of view and why working as a two-person crew helps build trust with their subjects. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and […]
by Filmmaker Staff on Jan 28, 2025Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? One unforgettable day was following our subjects into the basement of the decaying McMillan Library and witnessing them unearth from a pile of junk a miniature photograph of the first hanging in Kenya, in 1907, conducted by the Imperial British East Africa Company. We all got chills and, in this tiny photograph, found a […]
by Filmmaker Staff on Jan 28, 2025Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? My favorite part of making SALLY was getting to know Tam O’Shaughessy, and the most memorable day of shooting was a grueling 12-hour interview day which now serves as the primary narration for our film. National heroes like Sally Ride inspire us, give us hope, and show us just how far we can go. […]
by Filmmaker Staff on Jan 28, 2025Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The day when we shot two big party scenes for the film at two iconic Copenhagen clubs was a very memorable day for me. More than 300 people showed up to show support and attended to make the scenes feel as real and energetic as possible. Afterwards I was filled with so much pride […]
by Filmmaker Staff on Jan 28, 2025Sauna tells the story of a budding romance between a cis man and a transgender man in Copenhagen that forces both of them to consider how they conceive of themselves in relation to how society positions them. The film, the debut feature of writer-director Mathias Broe, is part of the 2025 Sundance Film Festival’s World Cinema Dramatic Competition. It is also the first producer credit for Mads-August Hertz, who offers reflections and insights on his biggest job yet and the difficulties of adapting novels below. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect […]
by Filmmaker Staff on Jan 28, 2025Sally Ride is well-known for being the first woman in space, but less recognized is her 27-year partnership with Tam O’Shaughnessy. Director Cristina Costantini gives both the professional and the personal equal treatment in the Sundance Premieres documentary Sally. Much of the film consists of footage shot by NASA during astronaut training. Editors Kate Hackett and Andy McAllister were tasked with combing through NASA’s enormous archive for Sally. Below, they talk about the challenges and excitement of being presented with so much footage and the importance of keeping the film close to Sally Ride’s story. See all responses to our […]
by Filmmaker Staff on Jan 28, 2025