JENS ALBINUS AND IBEN HJEJLE IN LARS VON TRIER’S THE BOSS OF IT ALL. COURTESY IFC FIRST TAKE. Lars von Trier, the enfant terrible of world cinema, is always looking for the next thing to surprise or wrongfoot audiences. He made only three features in the first decade of his career, and though The Element of Crime (1984), Epidemic (1987), and Zentropa (1991) were all critical successes that ably demonstrated von Trier’s cinematic gifts, it is since then that he has truly excelled. In this period, not only has he founded the revolutionary Dogme 95 movement, but completed the Gold […]
by Nick Dawson on May 23, 2007Adam Dawtry reports in Variety on the latest in artistic gamesmanship from Lars von Trier, who announces a “Statement of Revitality” on the eve of shooting his new film, The Boss of it All. Reacting against various elements of the financing and publicity machine for arthouse cinema, Von Trier has put the last film of his Brechtian America-set Dogville trilogy on hold and is searching, as he did when he created “Dogma 95,” for a new way of working. Here’s his statment: “In conjunction with the departure of Vibeke Windelov, who has been my producer for ten years, and the […]
by Scott Macaulay on Feb 11, 2006